Christopher Barnett on Judith Wolfe’s Heidegger and Theology The opening sequence of Terrence Malick’s 1998 film, The Thin Red Line, is not so
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Sarah Coakley on Diarmaid MacCulloch’s Silence Silence is golden. Or is it? In this intriguing survey of the theme of silence in Christian
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Keri Day in the Forum on Political Theology and Divine Violence The Marginalia Review of Books is partnering with Political Theology Today in
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