Lieke Wijnia on Christopher Partridge’s The Lyre of Orpheus In the song Irreplacable (2006), Beyoncé puts her lover’s possessions in a box and
... [Read More]
Daniel Boyarin on Michal Bar-Asher Siegal’s Early Christian Monastic Literature and the Babylonian Talmud The study of the Babylonian Talmud is right now a hot
... [Read More]
John Anthony McGuckin on Susanna Elm’s Sons of Hellenism, Fathers of the Church Susanna Elm has produced a work that shakes the classical
... [Read More]
Simon Rabinovitch on Yiddish Fight Club Yiddish is rich in the vocabulary of street-violence, taken from the ring, the docks, and the factories
... [Read More]
T.J. Lang on Benjamin L. White’s Remembering Paul The fashionable dictum among historians today is that biographies do not repristinate their subjects “as
... [Read More]
Jonathan D. Teubner on Johannes Zachhuber’s Theology as Science in Nineteenth-Century Germany “A professorship of theology should have no place in our institution,”
... [Read More]
Bruno Chaouat on Michel Houellebecq’s Soumission Recently, French intellectuals have become interested in the unbearable lightness of being oneself, in the paradoxical burden of individual
... [Read More]
Jeffrey Veidlinger on Hillel Halkin’s Jabotinsky: a Life There is little question that Vladimir Jabotinsky, the founder of the Revisionist Zionist Movement, was one of
... [Read More]
Welcome!
You’ve found our old website, where you can still access all our past content while our migration takes place.